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距今一百一十年前,在法国巴黎一个摄影师的工作室里,一群艺术青年联合举办了一次展览会。画家们的作品,一反当时宗教神话等概念的题材,一反几百年来陈陈相因的灰褐色调。他们直接反映普通人的日常生活,经常在外光中写生,用明亮的色彩把浓荫下的女人体、草地上聚餐的人群、灯光下的舞女等等展现在观众面前。人们的眼睛一时不能适应,保守的学院派们的脑筋更是转不过来,一时间舆论哗然、嘲笑指责之声四起。一位批评家看到莫奈的《日出印象》,就讽刺这批离经叛道的画家们为“印象派”。这就是西方艺术史上著名的印象派的名称的由来。印象派以前,欧洲艺术的内容题材大都有一定的规格与模式,在油画技法上重素描,画面基本上是棕褐单色素描效果,色彩基本上是
One hundred and ten years ago, a group of art youth co-hosted an exhibition in a studio in Paris, France. Painter’s work, an anti-religious mythology and other concepts on the subject, against the background of hundreds of years because of the gray-brown tone. They directly reflect the daily life of ordinary people, often sketched in the outside light, with bright colors to the shade of the woman body, crowd dinner on the grass, the light of the dancing girl and so on before the audience. People’s eyes can not adapt for a short time, conservative minds of the school even more turn around, for a time uproar in public opinion, laughed at the sound of accusations everywhere. One critic who saw Monet’s “sunrise impression” ironically savages these deviant painters as “Impressionists.” This is the origin of the famous Impressionist name in Western art history. Before the Impressionist, the content of the European art theme mostly have a certain size and mode, in the oil painting techniques on the sketch, the picture is basically the effect of monochrome sketch brown, the color is basically