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1953年春,被誉为波兰“文化使节”的玛佐夫舍歌舞团首访中国,几位代表还于五一节登上天安门城楼受到毛主席接见;他们访演了几乎半个中国,轰动一时,一曲《小杜鹃》随之传唱到全国城乡。之后,波兰的歌唱家、钢琴家、乐团等就不断来访,让众多的中国听众尝饮到了波兰音乐的甘露！——那已是遥远的上世纪中叶的事了…… 我国的改革开放使一度受阻的两国文化交流得以重新持续。八十年代初,著名钢琴家布科夫斯卡和钢琴教育家艾凯尔等相继来华演出和讲学,反映极好。但限于双方财力,交流量较小。从我方说,只能保证两年内一个演出团组(人数还不能超过30人)的来往。从实际情况看,波兰连这样的人数都保证不了。因此,所谓交流不过是维持着相互的关系罢了,这是我担任驻波文化参赞期间最感到尴尬难办的事。但是随着中国经济实力的增强,我们用以进行对外文化交流的方式和条件逐步发生了变化,1999年起,上述情况开始有了转变。来访的波兰文艺团体
In the spring of 1953, the Masovian song and dance troupe, acclaimed as Poland’s “Cultural Envoy,” made his first visit to China. Several delegates also boarded the Tiananmen Square watch building in the May Day meeting and met with Chairman Mao. They visited almost half of China and made a splash , A song “Little Cuckoo” followed sung to all urban and rural areas. Afterwards, Polish singers, pianists and orchestras continued to visit many Chinese listeners and enjoyed the delight of Polish music. - That is already a distant thing in the middle of the last century ... The reform and opening up in our country has once again hindered the resumption of cultural exchanges between the two countries. In the early 1980s, the famous pianist Bukovska and piano educator Ai Keer came to China to perform and give lectures in an excellent manner. But limited to both financial resources, exchange of small. From our point of view, only one performance group (the number can not exceed 30) within two years can only be guaranteed. From the actual situation, Poland can not guarantee even such a number. Therefore, the so-called exchange is only to maintain mutual relations nothing more. This is the most embarrassing thing I did during my stay as Counselor for the Culture of Wen Bo. However, with the enhancement of China’s economic strength, we have gradually changed the methods and conditions for conducting cultural exchanges with other countries. Starting from 1999, the above situation began to change. Visiting Polish art groups