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翻开涉及苏轼的诗词或是其文书笔记,器乐审美体验比比皆是,从中我们不难发现其借用器乐处处表达着对音乐美学的思考。本文极力避开学术研究的重复,独辟蹊径,从器乐这个角度结合苏轼的音乐美学思想进行注解。笔者通过对苏轼大量咏器乐诗及其与器乐相联系的文书笔记的解读,力图从中挖掘器乐在苏轼音乐美学中的审美情趣和表现方式,以期展现一个更为鲜活的多视角的苏轼美学审美思想视域。一、苏轼的咏器乐诗词及审美意趣
Open the poems or instruments involving Su Shi notes, aesthetic experience of the instrumental music abound, from which we can easily find its borrowed instrumental music express the aesthetic thinking of music. This article tries its best to avoid the repetition of academic research and make its own way. From the perspective of instrumental music, this thesis combines with Su Shi’s musical aesthetics thought. By analyzing a great deal of Yong poetry and its instrument notes associated with instrumental music, the author attempts to excavate the aesthetic taste and expression of instrumental music in Su Shi’s musical aesthetics, in order to show a more vivid multi-angle aesthetic aesthetic of Su Shi Thought horizon. A, Su Shi Yong instrumental music and aesthetic taste