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博尔赫斯在卡斯纳(Kasner)与纽曼(Newman)所著《数学与想象》(Mathematics and the Imagination)一书的西班牙语版序言中写道:“数学,如同音乐,足以放弃世界。我要感谢你们今天下午来听我的课,为此放弃了世界,放弃了阿根廷。”角度、倾斜与阐释,托马斯·曼与12音位音乐,作为平衡行为的阐释游戏无论何时选取某一角度或主题(进行研究)——在此我们选取博尔赫斯与数学——此种选择必在某种程度上扭曲我们正在研究的现象。当然,物理学家们熟知此事。此事同样发生于批评家试图从某一特定角度对作品本体着手处理之时,他很快就能发现自己陷于阐释的泥沼之中。须在脑中牢记,阐释游戏是种平衡行为,太多或太少,都将导致混乱。
In the preface to the Spanish version of “Mathematics and the Imagination” by Kasner and Newman, Borges wrote: “Mathematics, like music, is enough to give up the world I would like to thank you for coming to my class this afternoon, giving up the world and giving up Argentina. ”Angle, Inclination and Interpretation, Thomas Mann and 12-Tone Music, Interpretation of the Balanced Behavior at Any Time A point of view or topic (doing research) - here we choose Borges and Math - this choice must to some extent distort the phenomenon we are studying. Of course, physicists are familiar with this. The same happened when critics attempted to tackle the body of work from a particular point of view, and soon he found himself trapped in interpretation. Keep in mind that explaining the game as a balancing act, too much or too little, will lead to confusion.