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写戏不易,改戏更难。大凡有过一点戏剧创作经历的人,往往会有这样的体验。那么,戏“改”之难,难在何处呢? 剧本初稿草成之后,总是要听取各方面意见的,有领导的、观众的、表导演的,乃至作者本人发现的。此后再经过不断的修改,数易其稿,方才得以问世。就戏剧创作的总体而言,这样的“幸运儿”并不很多,而另一种情况倒是常见:剧本越改越乱,越改越砸,甚至连初稿都不如,结果不得不报废。由此可见,一个剧本的初稿,可能会有两种命运、两种前途,这里的关键,是看谁有能力把自己的剧本“改”上去。
Writing is not easy, change the game more difficult. People who have had a bit of drama experience often experience this kind of experience. Then, the play “change” difficult, where is it difficult? The script draft, always have to listen to all opinions, leaders, audiences, directors and even the author himself. After that, after continuous revision, the number of easy draft, had just come out. In terms of the overall drama creation, there are not many such “lucky ones”, but in the other case, it is quite common for the drama to be more chaotic, more violent and more smashed, and even the first draft is not as good as the result has to be scrapped. From this we can see that the first draft of a script may have two fates and two futures. The key point here is to see who has the ability to “change” his own script.