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艺术创作从来都是根植于属于自己的那方水土,对于舞剧《桃花坞》而言更是如此。苏州桃花坞地区拥有大量非物质文化资源,而唐伯虎和桃花坞木版年画,正是这一地区的两张“文化牌”。主创人员正是在对这一地区的文化视野考察中,产生了最初的艺术构思。新版舞剧《桃花坞》讲述了一个动人的故事。在承载和见证过唐伯虎和沈九娘之爱的桃花坞,年轻的木刻年画画师阿桃禁不住繁华的诱惑,离开桃花坞,只留下多病的老画师与深爱阿桃的阿玲,将惆怅和思念一点点刻入画板。而唐伯虎的悲欢人生和他的坚守,却又照
Artistic creation has always been rooted in the soil of their own side, especially for the dance drama “Taohuawu”. There are a large number of non-material cultural resources in the area of Taohuawu in Suzhou, while the Fubang New Year paintings of Fubangwu are the two “cultural cards” in this area. It is precisely in the study of the cultural perspective of the region that the creative staff created the original artistic conception. The new version of “Peach Blossom Dock” tells a moving story. In the peach blossom dock bearing and witnessing the love of the Tang Bohu and Shen Jiuiang, the young woodcut New Year painter A-peach could not resist the bustling temptation to leave Taohuawu, leaving only the sick old painter and Alingling, who loves A peach, Miss a moment into the drawing board. Flirtatious and flirtatious life and his stick, but according to photos