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围绕讽刺喜剧《枫叶红了的时候》展开的争论,主要集中到两点:(一)能不能运用喜剧的形式反映与“四人帮”的斗争; (二)怎样运用喜剧的形式反映与“四人帮”的斗争。我不懂戏,对喜剧初无研究,只谈几点粗浅看法,参加争鸣。喜剧这种艺术形式能不能用来反映与“四人帮”的斗争?这与如何认识和理解“四人帮”反党集团的阶级本质及其特殊的活动方式有关。“四人帮”是一伙由新老反革命组成的反党黑帮。他们的反革命宗旨,是篡党夺权,阴谋建立封建买办性的法西斯王朝,全面复辟资本主义。他们的基本队伍,是以一小撮叛徒、特务、阶级异已分子、新生资产阶级分子、政治上的暴发户、造无产阶级反的流氓、大搞打砸抢的亡命徒以及卖身投靠的“老干部”和出卖灵魂的无耻文人为骨干的资产阶级帮派体系。他们的主要活动方式,是搞阴谋诡计。他们脱离了干部和群众的绝大多数,从本质上讲,他们是极端虚弱
The controversy surrounding the satirical comedy Maple Leaf is mainly focused on two points: (1) whether it can reflect the struggle against the “gang of four” in the form of comedy; (2) how to use the form of comedy to reflect the “gang of four” Fight. I do not know drama, no study of comedies, only a few superficial views, to participate in contention. Can this form of art comedy be used to reflect the struggle against the “gang of four?” This is related to how to understand and understand the class nature of the “gang of four” anti-party clique and its special mode of activity. Gang of Four is a group of anti-party gangs composed of new and old counter-revolutionaries. Their counter-revolutionary purpose is to usurp the party and seize power and conspiracy to establish the feudal and comprador sexual fascist dynasties and to fully restore capitalism. Their basic ranks are based on a handful of traitors, spies, classmates, rebels, bourgeois rebels, political upstarts, proletarian anti-gangsters, vandalizers who fight vandalism, and veteran cadres "And the bourgeois gang system, the shameless scholar who betrayed the soul. Their main activity is to make intrigues. They are separated from the overwhelming majority of cadres and the masses, and in essence they are extremely weak