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《芙蓉女》是20世纪80年代由邯郸东风剧团根据京剧《宇宙锋》和历史文献资料创编的一出豫剧。京剧《宇宙锋》在20世纪二三十年代就成为京剧大师梅兰芳的代表作,一直以来,先后出现了《宇宙锋》中最为核心的“修本”“金殿”两折戏和全本《宇宙锋》的不同版本。本文就京剧《宇宙锋》梅兰芳版、杨荣环版、汉剧版《宇宙锋》、豫剧版《芙蓉女》在情节设置、人物塑造、戏剧冲突上的不同思想表达进行了比较,得出《芙蓉女》对原故事进行了思想意义上更为深入的开掘,进一步彰显了悲剧的力量。
“Hibiscus” is a opera by Handan Dongfeng Troupe in the 1980s based on Peking Opera “Cosmic Front” and historical documents. Peking Opera “Cosmic Front” became the masterpiece of Peking Opera master Mei Lanfang in the 1920s and 1930s. It has always been the most important “Cosmic Front” “Shu Ben ” “Golden Temple ” two fold Different versions of the play and the full cosmic front. This article compares the different thoughts and expressions of the Peking Opera “Cosmic Front” Mei Lanfang Edition, Yang Ronghuan Edition, Han Dynasty Edition “Cosmic Front” and the Henan Opera Edition “Hibiscus” in plot setting, figure building and drama conflict, and draws the conclusion that “ Female ”dig deeper into the original story in the ideological sense, further demonstrating the power of tragedy.