论文部分内容阅读
中国传统书画中的笔墨语言,是传统中国画山水画的灵魂,其内涵非常丰富,是与中国画在空间上特有的虚实处理方式相辅相成的。虽然在中国画的发展历程中,经历了一个先重用笔,后重用墨的历史发展过程,但“笔”和“墨”是不可分割的整体,相互依存,如果没有二者的完美结合,虚与实的意境空间也根本无法实现。
The language of pen and ink in Chinese traditional calligraphy and painting is the soul of traditional Chinese landscape painting. Its connotation is very rich and it is complementary to the unique and actual way of Chinese actuality in space. Although it has undergone a historical development process of reusing and reusing ink in the course of the development of Chinese painting, “pen ” and “ink ” are indivisible whole and interdependent, and if they are not perfect Combination, imaginary and real artistic conception space can not be achieved at all.