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陈鲤庭在《电影轨范》一书中主张电影是一门超越“写真”的艺术,“技术”为“艺术”服务;“镜头”与“声音”剪接上的“歧异”与“非同时性”是电影艺术表达的重要手段;“蒙太奇”与“Continuity”作为电影的两种构成方法,指向不同类型的电影叙事。作为中国早期本土电影理论发展的代表,《电影轨范》同时吸收西方电影理论发展成果,系统论述了电影镜头、声音与剪接的构成方法,其本质是一本指导电影创作实践的美学说明。
Chen Lei Ting in the “movie” a book advocates that the film is an art beyond the “photo ”, “technology ” for “art ” service; “lens ” and “sound ” splicing “Difference ” and “Non-simultaneity ” are the important means of expression of movie art; “Montage ” and “Continuity ” are two kinds of composition methods of movie, pointing to different types of movie narration. As the representative of early development of local film theory in China, “Film Program” absorbs the development of western film theory at the same time and systematically discusses the composition of movie footage, sound and editing. Its essence is an aesthetical explanation for the practice of film creation.