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近几年来,由於戏曲改革的正确方针的推行,历次社会的民主改革运动的深刻影响以及广大艺人政治觉悟的提高,全国民间职业剧团已发生了很大的变化。上演剧目和舞台形象有了革新,剧团内部关系有了改变。除小部分仍由业主所经营的剧团及一部分成员聚散无常的流动班社之外,大部分剧团已成为由艺人自己经营和管理的‘共和班’式的剧团。这些剧团已由艺人受业主僱傭变为艺人自己合作经营,由包银制变为按劳取酬制,有的剧团并已开始积有公共财产(如戏箱、布景、灯光等);剧团的领导开始采取了民主的方法。这种变化不仅基本上废除了剧团内部的剥削关系,而且提高了艺人的政治觉悟和对剧团的责任感,提高了他们的工作积极性和创造性,这就为戏曲艺术的改进和提高提供了有利的条件。
In recent years, due to the correct guidelines for the reform of the traditional drama, the profound influence of the democratic reform movements of all previous societies, and the improvement of political consciousness of the vast majority of artists, great changes have taken place in the non-governmental professional theater troupes nationwide. There was a revolution in the performance of the stage and the stage, and the internal relations of the troupe changed. Apart from a small number of the troupes run by the owners and some of the most irregularly-run mobile clubs, most of the troupes have become “Republican-style” troupes run and managed by the artists themselves. These troupes have been converted from entertainers by employers to co-operators by artists themselves. The system has been transformed into a pay-as-you-go system and some troupes have begun to accumulate public property (such as drama boxes, sets, lighting, etc.); theater leaders Started to adopt a democratic approach. This change not only abolished the exploitation relations within the theater, but also increased the artist’s political awareness and responsibility to the troupe and improved their enthusiasm and creativity, which provided favorable conditions for the improvement and improvement of opera art. .