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廖军同志在江西省采茶戏音乐研讨会发言时指出,采茶戏的出路在于还俗、还乡、还民。我以为这种主张非常正确,不仅采茶戏如此,其它地方戏曲均应如此。这是戏曲走向繁荣的阳关大道。所谓“还俗”,即还戏曲以通俗易懂的特性。兴于民间而泯于宫庭,是历史上地方剧种发展的一条规律。如昆曲经魏良辅整理加工,使平直的南曲变成“细腻水磨,一字数转,清柔婉折,圆润流畅”的新声,十分高雅;虽一时名噪四方,但却由于其通俗性逐渐丧失而导致衰落。地方戏曲应着重反映普通百姓的日常生活,满足文化层次不高的民众的艺术需求,
Speaking at a tea-picking seminar in Jiangxi Province, Comrade Liao Jun pointed out that the outlet for tea-picking opera lies in returning customs, returning home and returning the people. I think this is a very correct proposition, not only in tea-picking, but also in other local operas. This is the opera to prosperity Yang Guan Avenue. The so-called “mercenary”, that is, opera also easy-to-understand features. Hing in the private sector and in court, is a history of local opera a rule. Such as Kun by Wei Liang Fu finishing processing, so that the straight South song into a “delicate water mill, a few words turn, Qing Wan Wan-fold, smooth and smooth,” the new voice, very elegant; although a time fame and fortune, but because of its popularity gradually Loss caused by the decline. Local opera should focus on reflecting the daily life of ordinary people to meet the cultural needs of the people of the arts is not high,