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毛泽东的《在延安文艺座谈会上的讲话》从1942年发表至今，已跨越了半个世纪，它象一面鲜艳的旗帜，引导中国革命文艺健康地发展着，前进着，繁荣着。《讲话》所阐明的美学思想在长期的历史风雨中已显示出它的坚不可摧的力量。而它之所以有力量，就在于它是科学的，是建立在辩证唯物主义和历史唯物主义的哲学的基础上的。我在《论毛泽东美学思想》一文中，已讨论过毛泽东的“以人民为本位”的美学观，并阐明其与历史唯物主义的深刻联系，本文将着重揭示毛泽东美学思想的辩证唯物主义内涵，特别是要探讨毛泽东运用马克思主义的反映论解决文艺根本问题所作出的伟大贡献。
Mao Zedong’s “Speech at Yan’an Forum on Literature and Art”, which was published in 1942, has now spanned half a century. It is like a vivid flag that has guided the development of Chinese revolutionary literature and art to a healthy, prosperous and prosperous. The aesthetic ideas articulated in The Speech have demonstrated its invincible power over the long history of the storm. And the reason why it has strength lies in that it is scientific and is based on the philosophy of dialectical materialism and historical materialism. In my article “On Mao Zedong’s Aesthetic Thought,” Mao Zedong’s aesthetic concept of “taking people as a base” has been discussed and its profound connection with historical materialism has been discussed. This article will highlight the dialectical materialism of Mao Zedong’s aesthetic thought, In particular, we should explore Mao Zedong’s great contribution to solving the fundamental issue of literature and art by using the Marxist theory of reflection.