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提起石鲁,人们总是易于联想到他曲折坎坷的一生,以及他这一生在画作中的反映。但是,石鲁身上最感人也最令人回味的一点,还是他以石涛的思想和境界以及鲁迅的精神和品格来激励自我的自觉。今天,当思想、境界、精神、品格等已经差不多只剩下“概念”的时候,石鲁的曲折坎坷中所包含的警示性意义就更加凸显出来。作为一个艺术家,如果能在这方面起到表率作用,其意义已属非凡。从未受过今日所谓美术学院系统训练的人却可以卓然成家.以往这样的例子比比皆是.程大利以他的经历再次证明了这一点。其实,有成就的人与“学院式训练”之间不具有必然的联系,这一点不言自明。问题的关键在于,一个人要想有所成就。绝不能少了“人生的历炼”、“社会的磨炼”和“文化的修炼”这三点、这个道理同样是不言自明的。不是吗?无妨让我们继续观察。
Lift Shi Lu, people are always easy to think of his twists and turns ups and downs of life, as well as his life reflected in the paintings. However, one of the most touching and memorable things in Shi Lu is his motivation to inspire himself with Shi Tao’s thought and realm as well as Lu Xun’s spirit and character. Today, when the concept, the concept, the realm, the spirit, the character, etc. have almost only left behind, the warning significance contained in the tortuous ups and downs of Shi Lu is even more highlighted. As an artist, its significance has been extraordinary if it can play an exemplary role in this respect. Those who have never been trained by the so-called Academy of Fine Arts today have been able to make a difference, as in the past such examples are evident by Cheng’s experience. In fact, it is self-evident that there is no necessary connection between accomplished people and “college-style training.” The crux of the problem is that one person wants something to be accomplished. It is also self-evident that there should never be fewer “life experiences,” “social exercise,” and “cultural practice.” Is not it? No harm to let us continue to observe.