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有人说过:如果把文艺比作车子的话,那末创作和评论就是两个轮子。我以为这个比喻是有道理的。就整个文艺界来说,文艺批评落后于创作,使文艺这个车子失去了平衡。较之于文学,我看戏剧评论似乎更甚,还要落后一些。近几年来,我省的戏剧评论,总的说,我认为比过去数量多了,活跃多了,其中也不乏精采的评论文章,但大多数一般化,质量不太高,所起的指导作用不很显著。存在的主要问题,我看主要表现在, 缺乏真知灼见,多人云亦云。一篇剧评,往往是按老框框套,不外乎是题材呀,主题呀,人物呀,语言呀……我不是说写评论不要
Someone once said that if you compare literature and art to a car, then creation and commentary are two wheels. I think this analogy makes sense. As far as the literary and art circles are concerned, criticism of literature and art lags behind the creation of literature and art, thus losing the balance of the car of literature and art. Compared to the literature, I think the drama reviews seem even worse, but also lagging behind. In recent years, the drama reviews in our province generally speaking, I think more than the past, more active, many of them brilliant commentaries, but most of the generalization, the quality is not too high, the guiding role played Not very significant. The main problems that exist, I think, are mainly manifested in the lack of insight and opinions. A drama critics, often according to the old rules, nothing more than the theme of the matter, the theme of ah, ah ah language, language ... ... I am not saying write comment