浅析声乐教育中的民族文化复调

• 作 者: 赵洁玮
• 机 构: 中南民族大学,
• 出 处: 鸭绿江(下半月版)
• 发表日期: 2016年12期
• 关键词: 声乐教育 西洋音乐 民族音乐 黄自 复调 教育工作者 中国作品 春思曲 陆在易 美声歌唱

作为一名音乐教育工作者,我因为我的职业自豪,却因为我的事业困惑:为什么我们的学生会越来越自视甚高?为什么我们的声乐课越来越难上?为什么我们的学生不爱唱中国歌?……·黄自先生在《怎样才能产生吾国民族音乐》一文中说道:“文化本来是流通的,外族的文化,只要自己能吸收、融化,就可变为自己的一部分,把西洋音乐整盘地搬过来与墨守旧法都是”自杀政策“……总之我们所要学的是西洋好的音乐方法,而利用这些方法来研究和整理我国的旧乐与民谣,那我们就不难产生民族化的音乐了。”

As a music educator, I’m proud of my profession, but because of my career confusion: Why do our students become more self-evident? Why is our vocals harder and harder? Why do not our students love Singing Chinese songs? ... Mr. Huang Zi said in his article, “How can we generate national music in our country?” “Culture has always been a circulation. The culture of an alien can become a part of itself as long as it can be absorbed and melted by itself. , The entire Western music moved with the old laws are ”suicide policy“ ...... In short we want to learn is a good Western music methods, and the use of these methods to study and organize our country’s old music and folk, that It is not difficult for us to produce national music. ”