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二胡两弦悬空,没有指板,其音准较之其他种弦乐器难于掌握,对此,二胡行中人有着一致的认识。可是这种认识不过是大略的,不充分、不明确的,对于导致二胡音准难点的复杂因素及其在演奏中的体现形式则远没有达到应有的认识高度。弄清这一问题,将首先会对二胡的教学和演奏产生一些指导作用,同时对二胡及其乐队作品的创作和演出也将具有重要的意义。
Erhu strings left vacant, there is no fingerboard, the standard quasi-stringent than other stringed instruments difficult to grasp, which, erhu line of people have a common understanding. However, this kind of understanding is only rough, inadequate and ambiguous. The complicated factors that lead to the difficulty of pronunciation of the erhu and their manifestation in performance are far from the due recognition. To clarify this issue will, at first, give some guidance to the teaching and performance of the erhu and will also be of great significance to the creation and performance of erhu and his or her band work.