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在中国文化中,历来有诗书画同源之说,许多著名文人,擅长书法,兴之所至,还爱画两笔,有时即此赋诗,融注贯通,遣兴抒怀,烟岚草木,秋月飞鸿,率意点染之下,形神俱出,令人如品醇酒,为之陶然。但文人画作为流派,兴于何时,我没有稽考过。北宋大诗人苏东坡三者兼备,他曾有这样的诗句:“论画以形似,见与儿童邻;赋诗必此诗,定非知诗人,诗画本一律,天工与清
In Chinese culture, poems and calligraphy and painting have always been said to be of the same origin. Many famous scholars, who are good at calligraphy, appreciate what they want and love to draw two pieces of writing. Sometimes they write poems, integrate melodies, express sorrow, Autumn Moon Feihong, intentionally point dyeing under the shape of all things, it is like wine, which Tao Ran. However, literati painting as a school, interested in when, I did not test too. The Northern Song Dynasty poet Su Dongpo both, he had such verse: ”On the painting to seemingly similar, see and children neighbors; poetry must poems, non-informed poet, poetry and painting all, heaven and clear