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本文尝试用作为一种方法的马克思主义来改造与充实同样作为方法的现象学,并以此把现象学推向社会存在现象学。作为实践存在论的马克思主义存在论与现象学之间有方法论上的共性,而现象学的方法作为对“经验到的世界”的研究,实际上是对经验过程的描述,而这个过程的另一面也正是被经验物呈现出来的过程。但现象学所研究的“经验”却是空洞的,要克服这种空洞性,就必须把现象学推进到社会历史领域,这就需要用历史唯物主义来改造现象学。这种改造将为现象学夯实基础,并形成新的问题域。一旦这一社会存在现象学的方法被引入到美学中,就会形成研究美学与艺术问题的新维度。
This article tries to use Marxism as a method to reform and enrich the same phenomenology as a method, and thus to apply phenomenology to phenomenology of social existence. There is a methodological commonality between Marxist ontology as a practical ontology and phenomenology, and the method of phenomenology, as a study of the “experiential world,” is actually a description of an empirical process, The other side is the process of being experiencing things. However, the “experience ” studied by phenomenology is empty. To overcome this hollowness, it is necessary to push phenomenology into the field of social history, which requires the use of historical materialism to transform phenomenology. This transformation will lay a solid foundation for phenomenology and form a new problem domain. Once this phenomenological approach to society has been introduced into aesthetics, a new dimension of aesthetics and the arts can be developed.