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在画面布局上传统中国画讲究空间转换的构图理念,是建立在传神论基础之上的。在空间观察方式上,采用多视点的移动观察方法,实现对天地自然宏观把握的审美理想。在空间表现方式上,形成全景式与边角式等多种自由转化的构图方式,体现中国传统绘画独特的空间观念。因此,传统中国画构图理念强调自由游动的运动趋势,运用多角度的动态观察方法来把握一个全方位的画面空间,形成灵动多变的空间表现特征,体现出宇宙自然生生不息的生命节奏。
The concept of composition of the traditional Chinese painting which focuses on the transformation of the space on the screen layout is based on the theory of theism. In the space observation mode, multi-view mobile observation method is adopted to realize the aesthetic ideal of grasping the natural macro-world. In terms of spatial representation, a variety of free-form compositions such as panorama and corner are formed, reflecting the unique concept of space in Chinese traditional painting. Therefore, the concept of composition of traditional Chinese paintings emphasizes the movement tendency of free movement, uses a multi-angle dynamic observation method to grasp a full range of picture space and form a dynamic and changeable spatial representation characteristic, which reflects the endless natural life rhythm of the universe.