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这组笔谈 ,是对世纪末中国美学的一次系统总结。《超越局限》是对 2 0 0 0年中国美学发展的一个综述。作者在充分肯定这一年研究进展的同时 ,特别指出正如整个当代文化的发展必须走出后现代思潮的阴影一样 ,新世纪美学的发展同样必须摆脱这个阴影的侵蚀。新世纪中国美学的基本课题是建立真正当代中国的美学。这个美学不仅在某种意义上要显示中国的特色 ,而且真正要成为中国人文教育、精神发展的活力元素。《沉静进展的美学原理研究》总结了 2 0 0 0年美学原理研究的新进展 ,分四部分 :(1)审美形而上学 ;(2 )审美心理学 ;(3)现代科技与美学理论 ;(4 )美育与自然美。《成果丰硕的中西美学史研究》系统梳理 2 0 0 0年中国美学在中西美学史方面的研究成果。全文分三个部分 :(1)中国美学研究 ;(2 )西方美学研究 ;(3)中西美学比较研究。《风势尚健的审美文化研究》系统梳理 2 0 0 0年中国美学在审美文化研究方面的成果。全文分四个部分 :(1)审美文化的理论建设 ;(2 )大众文化解读与批判 ;(3)文化的时尚化发展研究 ;(四 )大众传媒与审美当代性。这个总结对于发展新世纪中国美学具有重要意义。我们发表这组笔谈 ,希望能引起大家对这个话题的关注和讨论。
This group of written talks is a systematic summary of Chinese aesthetics at the end of the century. “Beyond Limitations” is a review of the development of Chinese aesthetics in 2000. While fully affirming the research progress of this year, the author points out that just as the development of the entire contemporary culture must step out of the shadow of post-modernism, the development of aesthetics in the new century must also get rid of the shadow of erosion. The basic task of Chinese aesthetics in the new century is to establish the aesthetics of contemporary China. This aesthetics not only shows China’s characteristics in a certain sense, but also really wants to become a vitality element of China’s humanistic education and spiritual development. The study of the aesthetic principle of the quiet progress summarizes the new progress of the study of the aesthetic principle in 2000, which is divided into four parts: (1) aesthetic metaphysics; (2) aesthetic psychology; (3) modern science and technology and aesthetics theory; (4) Beauty and natural beauty. “The fruitful research on the history of Chinese and Western aesthetics” systematically reviews the research results of Chinese aesthetics in the history of Chinese and Western aesthetics in 2000. The full text is divided into three parts: (1) Chinese Aesthetic Studies; (2) Western Aesthetic Studies; (3) Comparative Studies of Chinese and Western Aesthetics. “Aesthetic Beauty in the Wind” systematically examines the achievements of Chinese aesthetics in aesthetic studies in 2000. The full text is divided into four parts: (1) the theoretical construction of aesthetic culture; (2) the interpretation and criticism of popular culture; (3) the study of cultural fashion development; (4) the mass media and aesthetic contemporaryity. This summary is of great significance to the development of Chinese aesthetics in the new century. We have published this series of written comments, hoping to arouse people’s attention and discussion on this topic.