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马头琴是蒙古民族精神文明的象征和也是本民族文化的标志。目前马头琴联合国教科文组织命名的非物质文化保护项目之一。也是我国国家级非物质文化保护对象。马头琴艺术的发展源远流长,从“马尾胡琴”起至今“马头琴”艺术世代相传,不断继承与发展、勇于探索与创新。如今马头琴艺术走向全球,凭借其独特的魅力,屹立在世界民族乐坛中享有盛名。作者本身就是马头琴传承者,也是马头琴传授者来说,前者保护好传统马头琴草根文化,不断地进行大量的搜集和整理传统马头琴艺术宝藏。后者搞好马头琴艺术传播和马头琴教学工作以及理论研究。通过本文对马头琴艺术事业的发展进行了探索与分析。阐述了马头琴文化博大精深和人文历史等。
Matouqin is a symbol of Mongolian national spiritual civilization and is also a symbol of the national culture. Currently Matouqin Unesco named one of the non-material cultural protection projects. It is also the object of national non-material cultural protection in China. The development of the art of the horse dominance has a long history. From the beginning of the “Pachinko Pachinko” to the present, “Ditou” art has been handed down from generation to generation, inheriting and developing constantly, and has the courage to explore and innovate. Today, the art of the Madou Qin goes global and, by virtue of its unique charm, stands in the prestigious world music scene. The author itself is the inheritor of the dances and also the dictator of the dances, the former protects the traditional grass-roots culture of the dances and does a great deal of collecting and arranging the treasures of traditional dances. The latter does a good job in the spread of Matou art and Matouqin teaching and theoretical research. This article explores and analyzes the development of the art of Madou Qin. Elaborated Matouqin culture profound and human history.