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电子超声波雾化盆景,又名流泉盆景。它是在电子技术突飞猛进的90年代发展起来的富有新格调、新款式、新品味的一种盆景,是较有发展前景的。雾化盆景的构思与制作同传统的山水盆景大体一样,只是在制作时要多考虑如何安放雾化件装制,何处流水显得自然生动,何处制雾最有效果。这是作者在造型设计和全面考虑时的重中之重。如右上图《烟雨茫茫》是以几株苍劲挺拔的榆树、几块英德石制作的开合式水旱盆景。水雾从榆林深处升腾流出。水雾同起,自然飘流,景观不断升华,形成一派烟雨茫茫的黄山云海自然美景。又如右下图《渔岛晨曦》,同是水旱类,材料也一样,但画
Electronic ultrasonic atomization bonsai, also known as fountain bonsai. It is a new style, new style, new taste of a bonsai developed in the 90’s of electronic technology by leaps and bounds, is more promising. The concept and production of atomized bonsai with traditional landscape bonsai generally the same, but in the production of more consideration to how to place the atomization pieces of equipment, where the water appears to be natural and vivid, where the most effective fog system. This is the top priority of the artist when it comes to styling and overall consideration. As shown in the upper right “Amidst the boundless” is a few strains of tall and straight elm, a few pieces of Yingde stone opening and closing droughts bonsai. Mist rising from the depths of Yulin outflow. Water mist together, natural drift, the landscape continues to sublimate, the formation of a group of Amoy sea Huangshan sea of clouds natural beauty. Another example is the lower right picture “fishing island dawn”, the same type of flood and drought, the same material, but painting