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本系列文章从跨学科的角度探讨比较文学的有关问题。何云波的文章着重探讨比较文学跨学科研究对建构总体知识学的意义与启示;焦静芳的文章揭示货币与文学的关系;左芬、林文兴、杨芳则分别以诗人彭燕郊的三首表现绘画、音乐、舞蹈的诗为例,探讨诗人如何用诗的语言去表达绘画、音乐、舞蹈的意境;谭琰的文章比较中国传统诗、画中“空白”的审美意义;姜攀、刘海花则分别探讨了中国古典诗歌与园林、插花艺术的关系。
This series of articles explores the issues of comparative literature from an interdisciplinary perspective. He Yunbo’s article focuses on the significance and enlightenment of interdisciplinary research in comparative literature on the construction of general knowledge; Jiao Jingfang’s article reveals the relationship between money and literature; Zuo Fen, Lin Wen-xing and Yang Fang respectively take the poet Peng Yanjiao’s three performance paintings and music , Dancing Poetry as an example to explore how poets use poetic language to express the artistic conceptions of painting, music and dance. Tan Yan’s article compares the aesthetic significance of “blank” in traditional Chinese poetry; Jiang Pan and Liu Haihua Respectively discusses the relationship between classical Chinese poetry and landscape architecture and flower arrangement art.