藏族锅庄舞的艺术价值与传承发展 ——以甘南碌曲县锅庄舞的承袭现状为例

• 作 者: 易亮
• 机 构: 西北民族大学舞蹈学院,
• 出 处: 青年文学家
• 发表日期: 2016年12期
• 关键词: 藏族锅庄舞 艺术价值 传承发展 碌曲县 承袭现状

随着我国文化、经济等方面的快速发展,人们有更多的精力去感受艺术文化的变迁以及人文环境的变化,各地区的艺术文化气息越来越浓厚,这是时代演进发展所积淀下来的人类财富。藏族“锅庄舞”的名称本身是藏语汉化而来的,此舞种的汉语意义是“圆圈歌舞”。作为藏族民间舞蹈的形式之一,“锅庄舞”艺术在我国西藏、甘肃、青海、云南等地的部分地区都广为流传,尤其是在藏族聚居区,“锅庄舞”艺术的传承十分普遍。本文就以甘南碌曲县锅庄舞的承袭现状为例,来具体阐释藏族锅庄舞的艺术价值与传承发展,以期为挖掘我国民族文化艺术带来启示。

With the rapid development of our country’s culture and economy, people have more energy to feel the changes in the arts and culture and the changes in the human environment. The artistic and cultural atmosphere in various regions is getting more and more concentrated, which is the result of the development and evolution of the times Human wealth. The name of the Tibetan “pot village dance” itself is derived from Tibetan. The Chinese meaning of this dance is “circle song and dance.” As one of the forms of Tibetan folk dance, the art of “Pan-Zhuang Dance” is widely circulated in some areas in our country such as Tibet, Gansu, Qinghai and Yunnan, especially in the Tibetan settlement, Inheritance is very common. This article takes the inheritance of Panhuang Village in Luqu County of Gannan as an example to explain the artistic value and inheritance and development of Tibetan pottery dance in order to bring enlightenment for our national culture and art.