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1981年,《时尚》法国版刊登了两幅照片:第一幅,被摄的四个青年女子身着臃肿的西服套装,神情冷漠,目空一切,昂首阔步地向前走来;第二幅,还是这四个人,同样的步态,不过,这回她们脱掉了衣服,赤裸着身子。这组照片,题为《她们来了》。题目听来有些令人恐慌,好像这些姑娘是一支侵略军的先锋,其实,它再贴切不过了。因为它不仅宣告了一种新的女性形象的出现,也张扬了赫尔穆特·牛顿这个另类摄影家的艺术个性。牛顿1920年生于德国。12岁时,他爱上了摄影,“我曾在我的宿舍里拍摄我的女朋友们,我用一只100瓦的白炽灯泡作为光源”。他没念完中学,就经他母亲安排,成
In 1981, the French version of “Fashion” published two pictures: the first one, the four young women photographed dressed in bloated suits, looked indifferent, empty-headed, striding forward; the second, or is this Four people, the same gait, but this time they took off their clothes, naked. This group of photos, entitled “They are coming.” The topic may sound a little scary, as if these girls were the vanguards of an aggressive army, but in fact it is more relevant. Because it not only proclaimed the appearance of a new female figure, but also made public the artistic personality of this alternative photographer of Helmut Newton. Newton was born in 1920 in Germany. When he was 12, he fell in love with photography. “I used to shoot my girlfriends in my dorm, and I used a 100-watt incandescent light bulb as my light source.” He did not finish high school, arranged by his mother, into