论文部分内容阅读
艺术的本质是上层建筑中的一种特殊的社会意识形态,在七十年代之前人们对之不持异议。但随着改革、开放的进程,人们开始对这一问题进行反思。朱光潜在《西方美学史》的“序论”中提出“社会意识形态不等于上层建筑,两者系并列关系”的观点。这一观点引发了人们对艺术的本质的不断探索与思考。鲁枢元将人类社会存在的模式比做蓬莱仙阁;经济基础是仙阁的台地;国家、政治、军队、法庭、学校等上层建筑是主体建筑;道德等意识形态是上层建筑中更高的层次;哲学、宗教、艺术则是云霓。将艺术比做云霓,则显得虚无飘渺。栾昌大在《文艺意识形态本性说辨析》中指出“文艺就总体而言,有意识形态性,又有超意识形态性”,“只能把它看作是与意识形态不同的社会意识形式之一,或精神现象之一”的观点。为了对艺术本质作探讨,本文拟从艺术属于上层建筑现象之一;艺术属于社会意识形式现象之一;艺术属于社会意识形态的形式现象之一,这样三个层次阐述拙见。
The essence of art is a special social ideology in the superstructure, which people did not disagree with until the 1970s. However, with the reform and opening up process, people began to reflect on this issue. In his Preface to the History of Western Aesthetics, Zhu Guangqian put forward the view that “social ideology does not equal superstructure and the two are tied together.” This view has led to continuous exploration and reflection of the essence of art. Lu Shuyuan compared the mode of existence of human society Penglai Xiange; economic base is Xian platform; state, politics, military, courts, schools and other superstructures is the main building; moral and other ideological superstructures higher Level; philosophy, religion, art is clouds Ni. Than the art of cloud Ni, it seems nothing ethereal. Luan Changda pointed out in his “Analysis of the Nature of Literary Ideology” that “literary arts as a whole are ideologically and hyper-ideologically” and “can only be regarded as social ideology that is different from ideology One, or one of the mental phenomena ”point of view. In order to explore the nature of art, this article intends to show that art belongs to one of the phenomena of superstructure; art belongs to the phenomenon of social consciousness; and art belongs to one of the formal phenomena of social ideology.