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补天遗石在形态上经历了由石至玉,又由玉至石的过程。贾宝玉与补天遗石在审美意象上具有共同点,而作为贾宝玉的对立影像,甄宝玉也与此思考有关。笔者借助于儒家君子释义与嵇康、阮籍的君子释义的不同,展开论述,认为曹雪芹借助了这种释义的不同,对人物性情与归宿进行了设置,体现了曹雪芹本身的思想倾向。同时曹雪芹又借助于玉的变化过程,对小说整体进行了架构。
Bu Tian days in the morphological experience from stone to jade, but also from jade to stone process. Jia Baoyu and Bu Tian detachment have common ground in the aesthetic image. As the opposite image of Jia Baoyu, Zhen Baoyu also related to this thinking. Based on the interpretation of Confucian gentlemen and the different definitions of Gentlemen by Ji Kang and Ruan Ji, the author thinks that Cao Xueqin, with the help of this interpretation, has set Cao Xingqin’s own thoughts and finality. At the same time, Cao Xueqin relied on the changing process of jade to carry out the whole structure of the novel.