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最能表现中国人似隐非隐、似露非露的“含蓄”秉性的,可能莫过于旗袍和屏风了。旗袍存而不论,这里专说屏风。前苏联的爱伦堡在他的《人·岁月·生活》中写道:“北京旅馆里家具是欧洲式的,但房间的入口却是传统的中国式:一道屏风不让你长驱直入,这是同鬼走直路的传统有联系的。”不知道他是如何晓得中国屏风竟还有这样的“文化”的。
The best performance of Chinese seems implicit non-hidden, Lulu Lu exposed “subtle ” Bingpen, may be more than the cheongsam and the screen. Regardless of cheongsam deposit, specializing in the screen here. Ehrenburg, the former Soviet Union, wrote in his book, “People, Years, and Lives:” The furniture in the Beijing hotel is European, but the entrance to the room is a traditional Chinese style: a screen that will not keep you going. Is linked to the tradition of walking the ghost straight away. “” I do not know how he knows that there are still such “cultural” screens in China.