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我是个山区农民,业余酷爱根艺。平时常为寻觅理想根材翻山越岭,为构思创作通宵达旦。由于偏重“天成为贵”,以往创作总难以突破根艺传统形式和技法的局限。前年,有幸读到潘明德的《根艺形式的创新》(载《中国花卉盆景》91年第7期,P.22),使我的根艺创作思路得到了拓宽。我赞同融绒制的(或其他的)工艺品于根艺之中,融根艺于插花艺术之中的创作技法。那末,除了以形式组
I am a mountain farmer, amateur love root art. Usually for the search for the ideal root over the mountains, creative ideas for the whole night. Due to the emphasis on “the sky becomes expensive,” the past creation is always difficult to break the root of the traditional forms and techniques of art limitations. The year before last year, I was fortunate enough to read Pan Mingde’s “Innovation in Root Arts Form” (Chinese Flower and Bonsai, No.7, 1991, p.22), broadening my creative thinking of root art. I agree with Rong Rong’s (or other) handicrafts in root art, root art in the art of flower arrangement. Then, except in the form of group