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傅强教授是一位有文化内涵的画家,也是一位深谙绘画传承之道的良师。他的油画创作注重主题的把握与形式的变化,并着力于画面意境的营造和艺术深度的传达。统观傅强的油画作品,可以见出他既有很好的写实功底,又善于把现代绘画的理念与国画写意的笔法充分地融入其绘画语境中,往往能在有意无意间传达出沉静而超逸的审美趣味,显示出良好的艺术修养。此次刊出的作品,都是傅强的油画新作,其绘画特点大致可分为装饰风格的风景画和半抽象的、意象化风格的风景画两种。傅强的装饰风格类风景画作品,虽然带有一定的写实性,但是,画家在构图方式、色彩运用和形象塑造等方面,皆没有拘泥于表现对象“真实”而机械的再现,而是按照
Professor Fu Qiang is a painter with cultural connotations and a mentor who understands the tradition of painting. His oil painting focus on the theme of the grasp and changes in form, and focus on creating the artistic conception of the screen and artistic depth of communication. His view of Fu Qiang’s oil paintings shows that he has a good realistic background and is good at integrating the ideas of modern painting and the freehand brushwork of Chinese painting into his painting context. The elegant aesthetic taste, showing a good artistic accomplishment. The works published in this issue are all Fu Qiang’s new oil paintings. The characteristics of their paintings can be divided into decorative landscapes and semi-abstract and landscape-like landscapes. Fu Qiang’s decorative style landscape paintings, although with a certain degree of realism, are not rigidly involved in the representation of objects, “real” and mechanical reproduction in terms of composition, color and image. However, Is according to