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中国人物肖像画,可在概念上作两点艺术特征的理解:在人类生活中,刻画曾经和现在有生命,有形态的人物头像或胸像特征。必须根据人物对象的原形,在对象形、神的表象外,发掘内在心理素质、情感因素和个性特征。追求“以形写神”、“形神兼备”艺术形象的表现。
Chinese portraits can be conceptually conceptualized as two artistic features: portraying the once-and-now-life and modal avatars or busts in human life. According to the prototype of the human object, we must discover the intrinsic psychological quality, emotional factors and personality characteristics in addition to the appearance of the object and the appearance of God. The pursuit of “to shape God”, “shape and spirit of both” the artistic image of the performance.