动荡中的未来 从惠特尼双年展看美国当代艺术

• 作 者: 陈烨
• 机 构: 惠特尼美术馆,
• 出 处: 艺术与设计
• 发表日期: 2017年04期
• 关键词: 惠特尼 三层楼 皮亚诺 策展人 特朗普 参展艺术家 美术馆馆长 文化特殊性 多元文化 现场性

2014年的惠特尼双年展遭到艺评界的猛烈攻击,当年在老馆的最后一届双年展可能既想回溯过去又想展望未来,以至于向观众诉说了太多的东西,于是密集地展现出一种用力过猛的姿态,铺了整整三层楼的展览却引来艺评人们刻薄的评论。但惠特尼双年展始终是美国当代艺术的风向标,而且由于展馆搬迁至坐落于高架公园最南端的、由伦佐·皮亚诺设计的新址,以至于推迟了一年的第78届惠特尼双年展又刚好碰上美国总统大选,这就注定了这次双年展必定抓人眼球。

In 2014, the Whitney Biennale was violently attacked by critics and art critics. At the last Biennale in Laohuo Pavilion, it was possible to look back and look forward to the future so much that they told the audience too much, So densely demonstrated a strenuous gesture, paved a full three-story exhibition has attracted criticism of art critic comments. However, the Whitney Biennale has always been the benchmark for contemporary American art, and due to the relocation of the pavilion to the new site designed by Renzo Piano at the southernmost tip of the elevated park, the 78th session of the year was postponed Whitney Biennial just happens to run into the United States presidential election, which is doomed to this biennial must catch the eye.