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没有中介者,纯粹独立的艺术消费几乎是不可能的。——阿诺德·豪泽尔《艺术社会学》从1991年澳大利亚人布朗·华莱士在中国创办红门画廊,到2003年之后北京798等艺术画廊聚集区的出现及快速发展,中国画廊行业已走过了20余年的发展历程。从理论上来讲,画廊的职能是通过营销使艺术品进入流通渠道,转化为商品。严肃的艺术家只是创造艺术品,而不是商品,那么画廊的意义就在于通过规范的商业运作为艺术家的成长和成功创造条件,它所扮演的是
Without intermediaries, purely independent art spending is almost impossible. - Arnold Hauser, “Art Sociology” From the 1991 Australian Brown Wallace founded the Red Gate Gallery in China, to the appearance and rapid development of art galleries in Beijing 798 after 2003, the Chinese gallery industry has been After more than 20 years of development history. In theory, the function of a gallery is to bring artwork into circulation through marketing and into commodities. Serious artists only create works of art, not commodities, so the significance of galleries is to create the conditions for the growth and success of the artists through standardized business practices. What they play is