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新中国时期,老舍的文学创作思想在“艺术的”还是“功利的”之间难以取舍,形成这种复杂现象的根源是老舍的平民、作家与文化官员等不同角色要求之间的冲突与碰撞。
In the new China, Lao She’s ideology of literary creation was difficult to choose between “artistic” and “utilitarian”. The root cause of this complex phenomenon was the collision and collision between Lao She’s civilians, writers and cultural officials .