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李华琪与许多毕业于清华大学美术学院这种顶级美院的艺术家不同,他几乎从不刻意强化自己的“艺术家”身份,而总是称自己是“画画的”。我与他认识以来,从没有见过他高谈阔论华而不实的概念,大多都是生活本身。我喜欢这个人,因为他从不把绘画当做一件多么了不起的事,从不把“绘画”置于“生活”之上。在我有限的人生阅历里,我见过许多青年艺术家深谙消费主义时代成名的逻辑,懂得利用姿态和言辞博取关注,他们懂得“艺术家”这个词中蕴含着一种
Unlike many artists who graduated from the top Academy of Fine Arts, Tsinghua University, Li Huaqi almost never tries to reinforce his “artist” identity and always calls himself “painting”. Since I met him, I have never seen his concept of rhetoric, most of which is life itself. I like this person because he never treats painting as a remarkable thing and never puts “painting ” above “life ”. In my limited life experience, I have seen many young artists who are well versed in the logic of the age of consumerism and who know how to draw attention by using gestures and words. They understand that the term “artist” implies a