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少见多怪这个成语在采访中很适用。很多电影人,因为见得少,萌生了很多的猜测。尤其对那些电影大导演,更是会因为这么近那么远的距离感,导致神秘感、敬畏感。比方说侯孝贤。他的电影带给我们太多的惊喜和太多的不解。而每一次见他,几乎都是那张没有表情的严肃脸孔。对于采访侯孝贤这件事,既兴奋于可以跟他直面对话,却又担心一个不慎,得到一个冷漠的表情。三亚的导演协会,侯孝贤作为台湾地区导演协会会长,每天都可见他的身影。采访的地点就在开会酒店的庭院里,两把椅子,直面坐下。对话开始,忽然发现这是一个太轻松的采访。原来真的就像侯孝贤自己说过的那样“问题怎样根本不重要”。因为不论什么问题,侯孝贤都能用他带着浓浓台湾口音的普通话说很久。
Strange little strange idiom in the interview is applicable. Many filmmakers, because they see less, sprout a lot of speculation. Especially for those film directors, but also because of this sense of distance so far, resulting in a sense of mystery, awe. For example Hou Hsiao-hsien. His films have brought us too many surprises and too many puzzles. Every time I see him, almost all the serious faces without expression. For the interview with Hou Hsiao-hsien this matter, both excited to be able to face to face with him, but worried about a carelessness, get a cold expression. Sanya’s director association, Hou Hsiao-Hsien, director of the Taiwan Association of Directors, every day to see him. Interview in the hotel courtyard sitting in the hotel, two chairs, sit down and face. The conversation started, and suddenly it was an easy interview. The original really like Hou Hsiao-hsien himself said “how the problem is not important ”. Because no matter what the problem, Hou Hsiao-Hsien can speak with his thick Taiwanese accent in Mandarin for a long time.