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我国的民族文化源远流长,颇具魅力的民族乐器更是深深地扎根于民众之中。随着国际文化交流的广泛和深入,如何实现国乐的世界化,仍需国人共同努力。事实上,我国的演奏家以及制琴师们非常重视“乐改”工作,并且一些高等院校还设有“乐器研究室”等。在中国加入“WTO”的今天,更快更好地改革发展中国乐器,使民族乐器更具魅力,其意义非同一般。然而,纵观我们乐器的制作、改革与发展历史,这项工作基本上是由制作师和演奏家做的。当然,乐改工作离开制作和演奏是不可能的,但若没有系统的声学、振动学、材料学等科学知识
Our country’s national culture has a long history and is full of charm. The national musical instrument is deeply rooted among the people. With the extensive and in-depth international cultural exchanges, how to realize the globalization of Chinese music still requires the joint efforts of Chinese people. In fact, our performers and the luthiers attach great importance to the “music reform” work, and some institutions of higher learning also have a “musical instrument research room”. Today, when China joins the “WTO,” it is of unprecedented significance to reform and develop Chinese musical instruments faster and better and make the national musical instruments more attractive. However, looking at the history of the production, reform and development of our musical instruments, this work is basically done by producers and performers. Of course, it is not possible to leave music production and performance with music reform, but without systematic knowledge of science such as acoustics, vibrometry and materials science