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西方的一位先哲说过,一个人不能两次在同一条河里洗澡;东方的一位先哲站在河边也发过这样的感叹:逝者如斯夫,不舍昼夜!戏曲艺术也是这样一条流动着的河。它由涓涓细流汇成一道大川,尽管严冬、盛夏流量不同,但它总在流,所以能历数百年而不枯竭,表现出顽强的生命力。但是有些同志不大注意它的发展变化,近来人们常用“五四”时期一些人对戏曲的批评言论来评论今天的戏曲,似乎今天的戏曲与“五四”时期没有什么区别,就是一例。有的同志认为“五四”时期中国的文学经过了一个“断裂”,而戏曲没有经过这样的断裂,因此它没有成为现代的艺术。这有一定的道理。文学艺术各门类的发展并不都是同步的,它们各自受到不同的主客
A pioneer in the West said that one can not take a bath in the same river twice. One of the philosophers in the east has also made such a sigh on the river bank: the deceased, A flowing river. It consists of trickle down into a large river, although the winter, summer flow is different, but it is always in the stream, so it can last for hundreds of years without drying up, showing tenacious vitality. However, some comrades have paid little attention to its development and changes. Recently, people often criticized today’s drama with criticisms and criticisms of the opera during the May 4th Movement. It seems that today’s drama is no different from the May Fourth Movement. This is an example. Some comrades think that in the period of the May 4th Movement Chinese literature passed a “break”, but the opera did not undergo such a breakage, so it did not become a modern art. This has some truth. The development of all categories of literature and art is not always synchronized, and they are subject to different subjects