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出于对光影的迷恋,欧阳苏龙运用具有空间实在性的雕塑语言来表现被人们所忽视空间与物质存在。光影、空气、负空间与人们通常所关注、理解的物质与空间实体一样真实,而并非虚幻,只是由于习惯了这些“存在”所以才被意识所忽视。英国著名雕塑家亨利?摩尔在他后期的创作中就曾探索过这种虚实、正负之间的辩证关系。而
Out of the fascination with light and shadow, Ouyang Sulong used the sculptural language with space reality to express the existence of space and material neglected by people. Light and shadow, air, and negative space are as real as the physical matter that people usually care about and understand. They are not illusory, but are ignored by consciousness because they are accustomed to these “existences.” Henry Moore, a famous British sculptor, explored the dialectical relationship between the actual situation and the negative one in his later creation. and