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有个写剧本的作者总结创作体会说:都认为我写剧本会“赶点”,我看,这个“点”还是能赶上的……云云。此人倒坦率。据我所知,乐于“赶点”的作者还有不少。话剧确实以迅速反映社会生活(当然也包括政治生活)见长。从这个意义上说,直接配合形势的戏应当有,也完全可以搞成象《放下你的鞭子》、《兄妹开荒》那样反映时代风貌的好戏。然而,这决不意味着剧作者应以“赶点”为“奋斗目标”。剧本写人,贵在精神,无论写什么,作者总要用自己的眼睛去看,
A writer who wrote the script summed up the author’s experience and said: I think I wrote the script will “catch”, I think, this “point” or to catch up ... ... and so forth. This person frankly. As far as I know, there are many other writers who are willing to “rush”. It is true that drama really reflects social life (and of course political life). In this sense, there should be a direct response to the situation and a good show reflecting the style of the times like “letting go of your whip” and “sibling pioneers”. However, this in no way means that the dramatist should “catch up” as a “goal.” Write the script, your spirit, no matter what to write, the author always use their own eyes to see,