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台湾诗坛,六十多年来,始终是泛现代诗派掌控,从来没有独立的新诗评论空间。虽然在上世纪五六十年代,台湾也有过几次新诗争辩,仅止于诗歌语言形式争吵,无关乎新诗主题宏旨,距离诗学论战的水平相当遥远。70年代之初,出现第一次也是台湾诗坛唯一的新诗论战。关杰明、唐文标发难,严厉批判台湾现代诗,造作形式,脱离现实。交战双方阵容壮大,缠斗经年。这次新诗论战,揭破台湾
Taiwan’s poetry circles, for more than sixty years, have always been in control of the pan-modern poetic school and never have an independent space for commentary on new poetry. Although in the fifties and sixties of the last century Taiwan had several times arguing about new poetry, it only quarrels with the linguistic forms of poetry and has nothing to do with the grand purpose of the theme of new poetry. It is far from the polemic debate of poetry. At the beginning of the 1970s, for the first time, there emerged the only new poetic debate in Taiwan’s poetry community. Guan Jieming, Tang Wenbiao launched an attack, severely criticized Taiwan’s modern poetry, making form, from reality. Both warring parties have grown in strength and have been fighting for years. This new poet debate, exposing Taiwan