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2016年10月底,浙江婺剧艺术研究院~([1])到南京演出青春版《穆桂英》,笔者陪同德国戏剧理论家汉斯-蒂斯·雷曼教授及其夫人──戏剧评论家海伦·瓦洛普鲁女士一起观看了这场上座不佳、剧场气氛却异常热烈的演出。结果不仅令两位外国学者感到震惊,认为即列于世界一流演出中,当之亦无愧色;即便对于笔者这样从事传统戏剧研究的人来说,《穆桂英》所展示的演员身体与表演技术似乎也只存在于史料或老先生们的口述之中,在当
At the end of October 2016, Zhejiang Wu Opera Art Research Institute ~ ([1]) performed a youthful version of Mu Guiying in Nanjing. The author accompanied the German theater theorist Professor Hans-Desi Lehmann and his wife ─ Drama Critic Ms. Helen Valpullu watched this performance is not good, the theater atmosphere was unusually warm performance. The results not only shocked the two foreign scholars, that is, it is worthy of being listed in world-class performances. Even for those who engage in traditional theater research like the author, Mu Guiying’s actors’ bodies and performances Technology seems to exist only in the oral history of the old or the old gentleman, when