论文部分内容阅读
众所周知,小剧场戏剧自其诞生之日起,就成了戏剧“自我拯救”的工具特别是20世纪末至21世纪以来,小剧场以其前所未有的某些特征,成为中国戏剧舞台上的主流地不分南北,作品不分中外,从单纯的艺术创作,发展成了一套包括策划、筹划、宣传、票房等经济动作的制作过程因此小剧场戏剧作为一种戏剧的生存形态有必要引起创作者的关注西安市话剧院选排的小剧场戏剧《做爱做的事》以“性”这个极为敏感的话题,给观众展示了三个步入中年的男女、各自带着不同的人生经历,在面对今天的生活时,病态的却是勇敢的剖析了自己的内心世界,同时在相互的剖析之中得到了医治获得了新生选材是大胆的,排演是具有一定意义的作为此剧的导演,愿将创作中的探索实践整理成文,与戏剧界同仁共勉
As we all know, since its birth, theatrical theater has become a tool of drama “self-salvation ”. Especially from the late 20th century to the 21st century, the theater has become the mainstream of the Chinese drama scene with some of its characteristics never seen before Regardless of the location of North and South, regardless of works, from purely artistic creation, has developed into a set of including the planning, planning, publicity, box office and other economic activities of the production process so small theater drama as a form of drama is necessary to generate creative Concerned about the selection of small theater drama Xi’an City Theater “Doing love to do” to “sex” this extremely sensitive topic, showing the audience three men and women into the middle age, each with a different life experience , In the face of today’s life, the pathological but brave analysis of their inner world, at the same time in the analysis of each other to get a new selection of candidates is bold, rehearsal is of some significance as the play Director, is willing to work in the creation of the exploration and practice of writing, and theater colleagues encourage each other