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邱汉桥作画时是沉酣于宁静幽深的自然和单纯而多变的水墨世界的,也许正是这种创作态度,使他的作品很从容地传达出中国诗人吟咏千载的那种心物交融之美。他的许多画面在大块墨,白,皴点的组合穿插上,又构成了音韵的旋律。——中国艺术研究院教授水天中古人有黑与白、黑与红的对照关系,但黑与黄的对照很少见。恰恰邱汉桥先生用到了极致,形成的自家独特的艺术语言。他把
Qiuhan Qiao’s paintings are deeply immersed in the quiet, deep nature and the pure and changeable world of ink painting. Perhaps it is this attitude of creation that makes his works very calmly convey the kind of heart-beating that Chinese poets chant beauty of. Many of his pictures interspersed with a combination of large pieces of ink, white, and black, and formed the melody of phonology. - Professor of Chinese Academy of Art There is a contrast between black and white, black and red, but the contrast between black and yellow is rare. It is precisely Mr. Qiu Hanqiao used the extreme, the formation of its own unique artistic language. he did