“束缚”与“破束缚”

• 作 者: 韩天衡
• 出 处: 中国书法
• 发表日期: 1992年02期
• 关键词: 艺术创作 无它 印章 三千 自其 蒋山堂 篆刻 印学 一千 属性

艺术除却它那混沌而悠长地引成雏型的初创期,以后形成了一条边继承、边积累、边发展的轨迹。从这个意思上讲,继承是艺术创作的基本属性,古今中外概不能外。印章艺术自其形成至今,已有近三千年的明确历史。初学者要入门,除了先继承是别无它途的。这继承就是按古来及今日所能见到的印谱、印作去临摹借鉴,把握印章艺术的精义。有些青年人却透露出一种心态,认为这是一种「束缚」。我想,这也可以说是一种「束缚」,但它犹

In addition to its chaotic art that led to the prototype of the start-up period, after the formation of a succession, accumulation, while the development of the track. In this sense, inheritance is the basic attribute of artistic creation. Seal art since its formation, nearly three thousand years of clear history. Beginners to get started, in addition to first inheritance is no other way. This inheritance is based on ancient times and today can see the printed book, printed copy to copy, grasp the essence of the art of seal. Some young people have revealed a state of mind that this is a kind of “bondage.” I think this can also be described as a “bondage,” but it still