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“人品不正的话,做出来的方器肯定也不正。”一直秉承“做人即做壶”的万美群,用一双妙手,诠释着紫砂方器线条利落、比例精准、明秀挺快的力度美。她的外表一如江南女子的秀美,但她的内心却坚强不服输,在紫砂艺术道路上,她不拘一格,独爱方器。她就是国家级工艺美术师、中国紫砂文化研究院理事万美群。“人品不正的话,做出来的方器肯定也不正。”一直秉承“做人即做壶”的万美群,用一双妙手,诠释着紫砂方器线条利落、比例精准、明秀挺快的力度美。在继承方器传统审美的基础上,更融合其个人特色,将“方中寓圆、刚柔并济”的艺术感受表达的淋漓尽致。
“Unfair character, certainly do not make a square. ” Has always been adhering to “a man is the pot ” of the Wan Mei group, with a pair of clever hand, the interpretation of the purple sandals neat lines, the proportion of precision, Ming Xiu Ting Fast and beautiful. Her appearance is as beautiful as Jiangnan’s woman, but her inner heart is strongly opposed to defeat. On the purple sand art road, she is eclectic and independent. She is a state-level arts and crafts artist, China Purple Sand Cultural Research Institute million US group. “Unfair character, certainly do not make a square. ” Has always been adhering to “a man is the pot ” of the Wan Mei group, with a pair of clever hand, the interpretation of the purple sandals neat lines, the proportion of precision, Ming Xiu Ting Fast and beautiful. On the basis of inheriting the traditional aesthetic of Fang Fang, it integrates its personal features and expresses its artistic feeling of “square, round, rigid and soft”.