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一中国传统书法,从来都是十分重视创新与发展之间的辨证关系的。没有创新,将意味着没有发展。因之我们很难想像,如果中国传统书法没有艺术创作上的长足发展;没有历代成林书家的书艺创新,那么中国书法的发展史将何来之有?缘此,若是将一部中国书法史看成是一部中国书法创新史,并不为过。中国传统书法在今天是否需要创新?答曰:“创新”斯为“正道”(参见《管子》)。实际上我们只要稍微
A traditional Chinese calligraphy has always attached great importance to the dialectical relationship between innovation and development. Without innovation, it will mean no growth. Therefore, we can hardly imagine that if the traditional Chinese calligraphy did not make great strides in artistic creation, and there was no literary and artistic innovation made by Cheng Lin’s book writers in the past, then what is the history of the development of Chinese calligraphy? If this is the case, Calligraphy history as a history of Chinese calligraphy innovation, not too much. Is there any need for innovation in traditional Chinese calligraphy today? Answer: “innovation ” is “correct way ” (see “pipe”). In fact, we only slightly