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在中国古典戏曲作品中,涉及到大量的古俗及民间风俗的描写。我们可以针对这些描写,研究其间绵厚的俗信内涵及其产生的文化渊源,研究它们在元代以前其它文学样式中有否反映以及与戏曲描写的承继关系,研究这些古俗现象在具体作品中的艺术作用及对作者命意有哪些辅翼价值,等等。这种视角的探讨,无疑能够拓宽中国古典戏曲学的研究视野,进而开启一种具有交叉学科特点的“古典戏曲民俗学”学科领
In the Chinese classical operas, it involves a large number of descriptions of ancient customs and folk customs. According to these descriptions, we can study the thick connotation of the vulgar letters and their cultural origins, study whether they have been reflected in other literary styles before the Yuan Dynasty and inherit relations with the description of the drama, and study these ancient phenomena in specific works The artistic function and what aids to the author, and so on. The discussion of this perspective undoubtedly broadens the research perspective of Chinese classical opera studies and opens up a new category of “classical opera folklore” disciplines with interdisciplinary features