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摄影艺术属于视知觉艺术范畴。由进入视觉带给灵魂响应,这便是摄影艺术的感染与震撼力。这种瞳孔与灵魂的撞击并引发人们的思考和情绪的东西,我们常常又称它为视觉判断。从摄影这门艺术的诞生开始,大量艺术家们为了寻找让瞳孔与灵魂互动的画面,倍费心智。我认为,这种视觉判断由三大类眼睛组成:摄影家的眼睛、作品人物的眼睛、读者的眼睛。摄影家的眼睛是寻找,作品人物的眼睛是再现,读者的眼睛是效应。摄影家的眼睛是根是源。摄影家的视野,应具有超乎常人的独特性。为了追求这种视野的独特,多少摄影家通过延伸眼睛的办法,去搜尽大千世界,借助探微器材去洞悉用肉眼看不见的领
Photography art belongs to the category of visual perception art. By entering the visual response to the soul, this is the photography art infection and shocking. This pupil and soul impact and trigger people’s thinking and emotional things, we often call it a visual judgment. Starting from the birth of the art of photography, a large number of artists pay for their minds in search of images that allow pupils and the soul to interact with each other. In my opinion, this visual judgment is made up of three major categories of eyes: the eyes of the photographer, the eyes of the characters in the works, the eyes of the readers. The eyes of the photographer are looking, the eyes of the characters are reproduced, and the eyes of the reader are the effects. The eyes of the photographer are the roots of the source. The photographer’s vision should have the uniqueness of being beyond the ordinary. In order to pursue such a unique view, how many photographers extend their eyes to search for a world of vast numbers, and exploit the sounding equipment to understand the invisible collar